Welcome to Music Gear Review Dude’s deep dive into the world of compressors! If you’ve ever wondered about the magic behind those smooth vocals, punchy basslines, and balanced mixes, you’re in the right place.
We’re about to embark on a journey through the realm of compression, exploring some of the most iconic hardware clones that have shaped the sound of countless records. Our LA-2A compressor overview will kick things off by discussing a legend in the compressor world: the Teletronix LA-2A.
What Makes the Teletronix LA2A So Special?
The Teletronix LA-2A isn’t just another compressor; it’s an icon. Born in the 1960s, the LA-2A quickly became the go-to for its unique optical compression, delivering a smooth, musical response that’s hard to replicate. When we look at the LA-2A compressor vs. other compressors, what sets the LA-2A apart is its program-dependent nature, meaning it reacts differently based on the incoming audio signal, resulting in an intuitive compression.
Why not just use compressor plugins to get the sound you’re after, especially with so many great free options out there? Well, it all depends on your goal and how close you want to get to that iconic vintage sound of the LA-2A compressor.
Best LA2A Compressor Hardware Clones Under $1,000
The budget LA-2A clones on this list surely don’t sound like budget clones. Honestly, you’ll feel like you’re getting away with something with these top performers. Check out the top compressors you can score for under $1K.
Klark Teknik 2A-KT Optical Tube Leveling Amplifier $400
The Klark Teknik 2A-KT Leveling Amplifier revives the charm of iconic optical compressors, offering a musical sound infused with warmth. This compressor features a vintage-style optical attenuator rooted in 1960s electroluminescent technology. Hand-selected tubes, including 12AX7, 12BH7, and EL84, give it its distinctive warmth, providing an output marked by tight bass, liquid midrange, and airy treble.
Pros:
- Completely discrete signal path
- Features a lag-free optical attenuator based on vintage electroluminescent technology
- Equipped with custom-built Midas input and output transformers
- Wide frequency response from 10Hz to 20kHz
- Capable of gain limiting from 0dB to 30dB with an ultra-fast 10ms attack time
- Pre-emphasis trim for digital audio recording and broadcasting transmission
Cons:
- Doesn’t capture all the nuances of the original LA-2A
- Feels less “premium” compared to more expensive units
Golden Age Project Comp-2A $600
Golden Age Project’s Comp-2A mirrors the iconic UREI Teletronix LA-2A. Like the LA-2A, the Comp-2A is celebrated for its smooth, program-dependent optical compression and soft knee, making it optimal for vocals. It can provide both gentle compression or be driven into distinct distortion. While more compact than its predecessor, it retains its authentic sound.
Pros:
- Sounds great and operates as effortlessly as the original
- More compact than the original LA-2A
- Stereo-linkable for versatile studio applications
- Provides a combination of smooth compression and the ability to drive into distortion for unique character
- Affordable take on the classic LA-2A design
Cons:
- A more detailed manual would be beneficial for users
- The compact design might not appeal to those looking for a more robust, vintage aesthetic
Warm Audio WA-2A $950
The Warm Audio WA-2A, a competitively priced reimagining of the iconic Teletronix LA-2A tube opto compressor, delivers natural compression accentuated by the charm of tubes and transformers. Ideal for introducing character during recording, it’s a cost-effective gem. The WA-2A captures the LA-2A’s signature optical gain-reduction and distinctive compression, especially on strings and vocals, making it a perfect pair for that niche base-vocal microphone you just snagged.
Pros:
- Authentic recreation of the Teletronix LA-2A
- Features optical gain-reduction circuitry for unique compression characteristics
- Input and output transformers bear the well-respected Cinemag name
- Provides up to 40dB of gain reduction
- Excellent for vocals, bass guitar, and even acoustic guitar
- Offers both natural-sounding compression and the pleasing effect of tubes and transformers
Cons:
- The thickening effect sounds different from the original when driven hard
- Stereo-link knob isn’t accessible via the front panel
Best LA2A Compressor Hardware Clones Over $1,000
If you’ve got some change to spare, you could add one of these compressors to your rack to reach pro status.
AudioScape Opto Compressor $1,100
The AudioScape Opto Compressor, hand-built in Daytona, Florida, captures the vibe of the ’60s Teletronix LA-2A. Part of AudioScape’s classic-inspired range, this unit boasts a unique T4B opto-attenuator, mirroring the original’s dynamics. Housed in a 3U steel enclosure with vintage touches, it uses NOS tubes for a rich, vintage sound, especially shining on vocals and bass. Its multi-stage release ensures smooth compression, avoiding typical “pumping” issues.
Pros:
- Hand-built with high-quality components including Cinemag input and output transformers, Panasonic polyester caps, and Cornell Dubilier Polypropylene caps
- Equipped with NOS tubes in the audio section
- HF knob on the front panel for filtering out low-frequency content, aiding in de-essing and preventing excessive compression of low end
- Performs exceptionally well on vocals, bass, and acoustic guitar
- Competitive price point for a hand-built unit
- Smooth, transparent compression that handles soft sources and when pushed hard
Cons:
- Larger rack space requirement (3U) compared to many two-space height LA-2A clones.
- The circuit is assembled on a PCB, which might not appeal to purists preferring a turret board assembly
Stam Audio SA-2A+ $1500
The Stam Audio SA-2A+ expertly replicates the vintage 1968 Teletronix LA-2A. The SA-2A+ features the Kenetek T4B optical attenuator and custom US-made transformers. Merging quality craftsmanship with intricate attention to detail, the SA-2A+ provides both character and original functionality. It’s an indispensable tool for professionals and newcomers alike, encapsulating the legacy of a classic compressor.
Pros:
- Uses a Kenetek T4B optical attenuator
- Features custom US-made HA-100X and A-24 style transformers
- Equipped with NOS American and European tubes
- Dry-Wet blend control for versatile compression options
- Original Teletronix VU meter and a 3U faceplate
- 30-day money-back guarantee, showcasing confidence in the product’s quality
Cons:
- While it offers a lot of the original’s features, there are clear differences in sound characteristics
- The unit might be too bulky for smaller studio setups
Our Top Pick: Warm Audio WA-2A
It’s important to note that the “best” compressor can be subjective and depends on specific needs, preferences, and applications. However, since we’re here to give you our professional opinion, based on the overall features, user reviews, and versatility, the Warm Audio WA-2A stands out. It offers a close emulation of the original LA-2A’s sound and functionality, has a robust build, and is priced reasonably, making it accessible to a wider range of users.
But don’t worry, we’re not telling you what to do (you rebel, you). Choose the best from this list to suit the needs of your studio and find your own compression bliss, dudes.